Answer:
A. Archaeologists uncovered about three dozen of these statuettes.
Explanation:
A. Archaeologists uncovered about three dozen of these statuettes is true about the plaster statuettes representing Neolithic sculpture found in present-day Jordan in the Middle East.
B. All of the statuettes have three heads, and D. The statuettes are all the same size—three feet tall are false statements.
C. The statuettes have cores of stone that are covered over by a white plaster is partially true. The statuettes discovered in Jordan have a core of limestone or dolomite, which was then covered with a layer of white plaster made from lime or gypsum. The plaster was then painted with various pigments to create the detailed designs and features of the statuettes.
Based on what is commonly known about Neolithic sculpture in present-day Jordan, the statement that is most likely true is:
C. The statuettes have cores of stone that are covered over by a white plaster.
These statuettes are known as "Ain Ghazal Statues," and they were discovered during the 1980s at the Ain Ghazal archaeological site in Jordan. The statues are typically about two to three feet tall and have been found in various states of repair. They are made from a core of limestone that was covered with plaster, which was then painted or decorated in various ways. The statues depict human figures with large, almond-shaped eyes and often with multiple heads. While the exact number of statues found is not known, it is estimated to be in the dozens.
the types of lines used on a construction draw-ing to show parts that are obstructed by another surface or part that is closer to the viewer are
hidden lines I an edge is blocked from view by another feature is know as hidden lines its also show what is behind
For my Arts & Humanities class!
“The Timeless works of Tchaikovsky”
Which of Tchaikovsky's works do you feel is most popular in today's culture?
In your opinion, which of his works has the greatest emotional impact on the
listener?
Why, in your opinion, would you say we are seeing so many less composers of t
caliber in our current generation?
References:
Answer:
Explanation:
One of Tchaikovsky's works that is most popular in today's culture is his ballet, "The Nutcracker." This piece has become a holiday tradition for many people around the world, and its music is widely recognized and beloved. Another popular work of Tchaikovsky is his Piano Concerto No.1, which is often performed by pianists in concerts and competitions.
In my opinion, Tchaikovsky's Symphony No. 6 in B minor, also known as the "Pathétique," has the greatest emotional impact on the listener. This symphony is known for its intense emotional depth and tragic ending, which has left a lasting impression on many listeners over the years. The final movement of the symphony is particularly powerful, as it expresses a sense of resignation and acceptance in the face of death.
There are many possible reasons why we are seeing fewer composers of Tchaikovsky's caliber in our current generation. One reason may be that classical music is not as popular or mainstream as it once was, which may make it harder for young composers to make a living in this field. Additionally, the music industry has changed significantly over the past few decades, with a greater emphasis on commercial success and popular appeal. This may make it harder for more experimental or unconventional composers to gain recognition and support. Finally, there may simply be fewer individuals with the innate talent, drive, and training required to become a great composer in the classical tradition.
References:
Classic FM. (2021). Tchaikovsky: The Nutcracker - an album guide. Retrieved from https://www.classicfm.com/composers/tchaikovsky/guides/nutcracker-album-guide/
Classic FM. (2021). Tchaikovsky: Symphony No. 6 in B minor, 'Pathétique' - an album guide. Retrieved from https://www.classicfm.com/composers/tchaikovsky/guides/symphony-no-6-pathetique-album-guide/
Tommasini, A. (2015). Why we need new music that sounds like new music. The New York Times. Retrieved from https://www.nytimes.com/2015/10/25/arts/music/why-we-need-new-music-that-sounds-like-new-music.html
on what part of the face was a female moai tatooed
Answer:
Chin
Explanation:
Represents leadership
TRUE/FALSE. Polyphonic music required specialized singers as compared to the more simple communal singing of plainchant.
Answer:that is actually true
Explanation:
which of the following is the correct classification of the third-person voice-over in the royal tenenbaums?
The correct option is (a) Omniscient Narrator. The third-person voice-over in "The Royal Tenenbaums" can be classified as an omniscient narrator.
An omniscient narrator is a voice that provides a neutral and objective perspective of the story, and is not a character within the story itself. Throughout the film, the narrator provides commentary on the actions, thoughts, and feelings of the characters, offering insights into their pasts and motivations. The narrator also helps to connect the various plot threads and subplots, providing a cohesive structure to the film. Moreover, the narrator in "The Royal Tenenbaums" is able to provide information that the characters themselves may not be aware of, giving the audience a broader view of the story. This omniscient perspective is particularly effective in a film like "The Royal Tenenbaums," which features a large ensemble cast and a complex narrative structure. In summary, the third-person voice-over in "The Royal Tenenbaums" is an omniscient narrator that provides a neutral and objective perspective on the characters and their story.
The complete question is:
which of the following is the correct classification of the third-person voice-over in the royal tenenbaums?
(a) Omniscient Narrator
(b) Limited Omniscient Narrator
(c) Objective Narrator
(d) First-Person Narrator
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which of the following is considered a craft? group of answer choices pottery painting sculpture calligraphy architecture
Among the given alternatives, pottery is considered a craft. So, the first option is correct alternative.
Crafts are artistic practices that involve skillful manipulation of materials to create functional or decorative objects by hand. Pottery is a craft that involves shaping clay into various forms, such as vessels, bowls, plates, and figurines, using various techniques such as wheel-throwing, hand-building, and sculpting. Pottery can also involve decorating the surfaces of the objects using glazes, paints, or other materials.
While painting, sculpture, calligraphy, and architecture are also artistic practices, they are not typically considered crafts because they do not necessarily involve functional or utilitarian objects made by hand. Instead, they are often considered fine arts or design disciplines. However, there can be overlap between these categories, and some artists may engage in both crafts and fine arts.
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TRUE OR FALSE in order for a film to be classified as a documentary, it cannot contain any statements of opinion, only facts
a listener who does not perceive all the acoustic information from speech can often still understand the message. this describes (pick one)
A listener who does not perceive all the acoustic information from speech can often still understand the message, this describes redundancy of speech.
Redundancy occurs when a term or notion is used repeatedly without adding anything to the prior usage; it merely restates what has already been said, consumes space, and causes obstruction without contributing to the meaning. Any level of grammar can contain redundant language. The same semantic information may be communicated multiple times thanks to agreement, a necessity in many languages that the form of various words in a phrase or clause correspond with one another. A minimal pair is a pair of words or sentences that only differ by one phoneme, the smallest distinguishing component of the sound system, according to phonology. However, phonemes can vary in a number of phonetic characteristics. Coarticulation and assimilation are examples of phonologically conditioned alternation, which is similar to agreement in morphology increases phonological redundancy.
Some ambiguities in spoken communication may be clarified by the repetition of phonological rules.
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king appeals to emotions throughout this speech. provide at least three examples of ways in which he does so.
Dr. Martin Luther King Jr. was a master at using emotional appeals to move his audience and inspire them to action.
In his famous "I Have a Dream" speech, he employs various techniques to evoke strong emotional responses from his listeners. Here are three examples of how he appeals to emotions in his speech:
Imagery: King uses vivid imagery to paint a picture of the reality of racial injustice in America. For instance, he talks about "the sweltering summer of the Negro's legitimate discontent" and how black people are "languishing in the corners of American society." These descriptions evoke feelings of anger, frustration, and helplessness, which can motivate his audience to take action.
Repetition: King repeats certain phrases throughout his speech to emphasize his points and to create a sense of unity among his listeners. For example, he repeats the phrase "I have a dream" several times, which helps to build momentum and excitement. He also repeats the phrase "Let freedom ring" at the end of each stanza, which creates a powerful and emotional refrain that inspires his listeners to action.
Personal anecdotes: King uses personal anecdotes to connect with his audience on a deeper emotional level. He talks about his own experiences with racism and discrimination, which helps his listeners to empathize with him and to feel a sense of solidarity with him. For instance, he says, "I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin but by the content of their character." This personal story is a powerful emotional appeal that inspires his listeners to work towards creating a better future for all.
In conclusion, Martin Luther King Jr. was a skilled orator who knew how to appeal to the emotions of his audience. By using vivid imagery, repetition, and personal anecdotes, he was able to move and inspire his listeners to action.
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thin film such as soap bubble or a thin layer of oil on water show beautiful colours when illuminated by white light.
Thin films such as soap bubbles or oil layers on water exhibit colorful patterns when illuminated by white light due to the interference and reflection of light waves.
Thin films, such as soap bubbles or a thin layer of oil on water, display iridescent colors when illuminated by white light. These colors are produced due to the phenomenon of interference and reflection of light waves as they pass through the thin film. When white light falls on the surface of the film, some of the light waves reflect off the surface, while others pass through the film and reflect off the bottom surface. The two sets of reflected waves interfere with each other and create patterns of constructive and destructive interference, resulting in visible colors. The thickness of the film determines the colors observed, with different thicknesses producing different colors. This phenomenon can be seen in various natural and man-made structures and is also applied in various technologies such as anti-reflective coatings and optical filters.
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purpose of warming up
18. Jackie Kennedy slept in the bedroom at Hotel Texas with which of the following famous
paintings?
a. "Swimming"
b. "Angry Owl"
c. "Road with Peasant Shouldering a Spade"
Who was Henri Cartier-Bresson?
A.
a French photographer who was considered to be the father of photojournalism
B.
a Swedish scientist who invented the digital camera
C.
a Greek photographer who was the first person to use a telephoto lens
D.
an American inventor who specialized in architectural photography
Answer:
A
Explanation:
He was a French humanist photographer who was considered to be the father of photojournalism.
TRUE/FALSE. in this musical excerpt, it is fair to say that each melodic phrase exhibits a melodic contour that move in a downward direction
True. It is reasonable to conclude that each melodic phrase in this musical extract displays a melodic contour that moves downward.
What in music is a melodic contour?A melodic line's shape and movement pattern are referred to as its melodic contour. Every melody has a shape. The melodic contour will vary based on the distance between each note of the tune. Up by step is one of four fundamental melodic motion patterns.
Is a melody's upward and downward motion considered its melodic contour?The direction and tonal movement of the melody are referred to as its melodic contour. While some notes progress upward or downward, others remain at the same level or progress repeatedly.
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