berlioz reicha beethoven the friendship between the two great musicians does not seem to have lasted long,

The "the caverns at Lascaux" collection of works contains one of the most famous cave art collections, the Hall of the Bulls.

Although there is one depiction of a human (paintings of humans in Paleolithic art are extremely uncommon; sculpted human forms are more common), the majority of the paintings show animals that can be found in the area, including horses, bison, mammoths, ibex, aurochs, deer, lions, bears, and wolves.

The southeast France cave paintings at Lascaux show the subject matter and style of many of our ancestors' first artistic undertakings. Archaeologists view these and other Ice Period rock art discoveries as evidence of the emergence of a new, distinctively human consciousness.

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Answer:

Symbol of Strength and beauty

Explanation:

David is now one of the most renowned masterpieces of Renaissance sculpture and is considered a symbol of strength and beauty.

Answer:

Chin

Explanation:

Represents leadership

Dr. Martin Luther King Jr. was a master at using emotional appeals to move his audience and inspire them to action.

In his famous "I Have a Dream" speech, he employs various techniques to evoke strong emotional responses from his listeners. Here are three examples of how he appeals to emotions in his speech:

Imagery: King uses vivid imagery to paint a picture of the reality of racial injustice in America. For instance, he talks about "the sweltering summer of the Negro's legitimate discontent" and how black people are "languishing in the corners of American society." These descriptions evoke feelings of anger, frustration, and helplessness, which can motivate his audience to take action.

Repetition: King repeats certain phrases throughout his speech to emphasize his points and to create a sense of unity among his listeners. For example, he repeats the phrase "I have a dream" several times, which helps to build momentum and excitement. He also repeats the phrase "Let freedom ring" at the end of each stanza, which creates a powerful and emotional refrain that inspires his listeners to action.

Personal anecdotes: King uses personal anecdotes to connect with his audience on a deeper emotional level. He talks about his own experiences with racism and discrimination, which helps his listeners to empathize with him and to feel a sense of solidarity with him. For instance, he says, "I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin but by the content of their character." This personal story is a powerful emotional appeal that inspires his listeners to work towards creating a better future for all.

In conclusion, Martin Luther King Jr. was a skilled orator who knew how to appeal to the emotions of his audience. By using vivid imagery, repetition, and personal anecdotes, he was able to move and inspire his listeners to action.

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Performing tests of controls to determine the operating effectiveness of internal control and assess control risk is done using substantive tests.

Substantive tests of details and substantive tests of balances are two kinds of substantive tests. Substantive testing, also known as substantive audit testing, is the procedure of examining the accounting records and financial statements of an organization in order to guarantee that they are free of material misstatements.

This is done to ensure that the financial statements are free of material errors and misstatements that may affect an auditor's opinion on the accuracy and fairness of the financial statements, which may cause a firm to misstate its financial position, results of operations, or cash flows.

There are two types of substantive tests. Substantive tests of details and substantive tests of balances are the two categories. Substantive tests of details refer to the testing of individual transactions, account balances, and disclosures, as well as the review of underlying documentation.

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Answer:

Michelangelo's David is a masterpiece of Renaissance sculpture, created between 1501 and 1504. The statue reflects the Renaissance's focus on classical ideals of harmony, proportion, and beauty, as well as the revival of ancient Greek and Roman art. It also embodies humanist values, celebrating the individual and human potential. The statue's contrapposto pose, attention to detail, and depiction of the human form are all key stylistic elements that make it a quintessential example of Renaissance art.

Explanation:

Michelangelo's David is considered one of the masterpieces of the Italian Renaissance, and it represents the perfect example of Renaissance sculpture. The statue depicts David, the biblical hero who defeated the giant Goliath, standing in a contrapposto pose, with one leg bearing the weight of the body while the other leg is relaxed. The sculpture was created between 1501 and 1504 and is made of marble.

Stylistically, Michelangelo's David reflects the ideals of the Renaissance in several ways. Firstly, the statue embodies the classical ideals of harmony, proportion, and idealized beauty that were central to the art of ancient Greece and Rome. The figure's musculature is meticulously rendered, and the pose creates a sense of naturalism and movement. The attention to detail, such as the veins on David's hands and feet, highlights Michelangelo's skill in capturing the human form.

Secondly, Michelangelo's David demonstrates the Renaissance interest in reviving the art of ancient Rome and Greece. The statue's contrapposto pose is borrowed from ancient Greek sculpture, and the drapery of the figure's clothing is also inspired by ancient models. However, Michelangelo's David is not simply an imitation of classical art, but rather a fusion of classical ideals and the artist's own interpretation.

Finally, Michelangelo's David reflects the humanist values that were central to the Renaissance. The figure embodies the ideal of the individual, with his heroic pose and expression of determination. The statue celebrates the human form and the potential of human achievement, which was a central theme of Renaissance art.

Overall, Michelangelo's David stylistically fits within the context of the Renaissance by embodying the ideals of classical art, reviving ancient techniques, and celebrating humanist values.

Answer:

Explanation:

One of Tchaikovsky's works that is most popular in today's culture is his ballet, "The Nutcracker." This piece has become a holiday tradition for many people around the world, and its music is widely recognized and beloved. Another popular work of Tchaikovsky is his Piano Concerto No.1, which is often performed by pianists in concerts and competitions.

In my opinion, Tchaikovsky's Symphony No. 6 in B minor, also known as the "Pathétique," has the greatest emotional impact on the listener. This symphony is known for its intense emotional depth and tragic ending, which has left a lasting impression on many listeners over the years. The final movement of the symphony is particularly powerful, as it expresses a sense of resignation and acceptance in the face of death.

There are many possible reasons why we are seeing fewer composers of Tchaikovsky's caliber in our current generation. One reason may be that classical music is not as popular or mainstream as it once was, which may make it harder for young composers to make a living in this field. Additionally, the music industry has changed significantly over the past few decades, with a greater emphasis on commercial success and popular appeal. This may make it harder for more experimental or unconventional composers to gain recognition and support. Finally, there may simply be fewer individuals with the innate talent, drive, and training required to become a great composer in the classical tradition.

References:

Classic FM. (2021). Tchaikovsky: The Nutcracker - an album guide. Retrieved from https://www.classicfm.com/composers/tchaikovsky/guides/nutcracker-album-guide/

Classic FM. (2021). Tchaikovsky: Symphony No. 6 in B minor, 'Pathétique' - an album guide. Retrieved from https://www.classicfm.com/composers/tchaikovsky/guides/symphony-no-6-pathetique-album-guide/

Tommasini, A. (2015). Why we need new music that sounds like new music. The New York Times. Retrieved from https://www.nytimes.com/2015/10/25/arts/music/why-we-need-new-music-that-sounds-like-new-music.html