during the nineteenth century, who were major patrons of the arts?

The twelve-tone system of composition was invented by Arnold Schoenberg and his students Alban Berg and Anton Webern.

The twelve-tone technique is a method of musical composition devised by Arnold Schoenberg in which the twelve notes of the chromatic scale are organized into a row or series and used as the basis for the whole composition

Composition is the practice of creating original music or arrangements by using any type of instrument, including the human voice. Music composition can be an intricate and rewarding experience that allows you to create your own songs or adapt existing ones in creative ways.

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The composers who invented the twelve-tone system of composition are Arnold Schoenberg and his students Alban Berg and Anton Webern.

The twelve-tone system, also known as serialism, is a method of musical composition that gives equal importance to all twelve notes of the chromatic scale and avoids traditional tonality or key centers, regardless of tonality, to create a piece of music. The 12-tone method, also known as dodecaphony, is a form of serialism. A row is a distinct sequence of all twelve pitch classes and the basic organizing unit of serialism. Arnold Schoenberg and his students Alban Berg and Anton Webern were the composers who invented this twelve-tone system of composition. Arnold Schoenberg pioneered it in the early 20th century. It is a technique that sought to provide a new approach to organizing pitch material, moving away from traditional tonality. While it initially faced resistance and controversy, the twelve-tone system has had a lasting impact on the development of modern and contemporary music.

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The complete answer to the given question is:
Race records and hillbilly music have the following in common, except their target audience.

Both race records and hillbilly music emerged as distinct genres in the early 20th century and shared several characteristics. They were expressions of music from marginalized communities and represented the cultural identities and experiences of African Americans and white rural populations, respectively. Musically, they often drew from folk traditions and reflected the social and historical contexts of their respective communities.

However, the main point of divergence between race records and hillbilly music lies in their intended audience. Race records were primarily targeted at African American listeners, serving as a platform for African American artists to share their musical talent and culture. On the other hand, hillbilly music was directed towards a white rural audience, reflecting the cultural experiences and perspectives of those communities.

This difference in target audience was a reflection of the racial dynamics and social segregation prevalent in the early 20th century. Record companies and marketers recognized the importance of tailoring music to specific racial and cultural groups to maximize sales and appeal. While both genres shared similarities in their cultural origins and musical influences, their intended audiences and marketing strategies set them apart.

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