Igor Stravinsky deviated from the Romantic style in several ways, notably through his adoption of Neoclassicism, a style characterized by dissonance and complexity. Stravinsky intentionally rejected the chromaticism and lyrical qualities associated with Romanticism. Instead, he explored a more intricate and dissonant musical language.
His compositions incorporated unconventional meters and rhythmic complexity, reflecting his departure from the Romantic ideals.
Additionally, Stravinsky drew inspiration from primitivist elements found in folk and early music traditions, further distinguishing his style from Romanticism's lush orchestration and emphasis on emotion and melody.
Works such as "The Rite of Spring" and "Symphony of Psalms" exemplify Stravinsky's departure from the Romantic style, showcasing driving rhythms, unconventional harmonies, and a deliberate simplicity in orchestration.
These stylistic choices marked a significant shift away from Romanticism's conventions and contributed to Stravinsky's enduring influence in the world of classical music.
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