You have just returned from a week's activity holiday. Write an account of the holiday
for your friend​

Answer:

C) emo

i hope its right lol

Answer:

it not what i think bc what i think wouldn't be acceptable so what as a proper president should say is what problem they want to focus on in the u.s.a. like for example trump in his last election he built a wall for immangrants don't over throw and run our country thats the problem trump was trying to fix and so far he succeeded his job but know Joe Biden he is going to nock that wall down and rk as we speak there is over 7,000 immagrants waiting by the wall for the break of the wall to happen. SO as joe biden he should state a problem in the U.S that needs fixed and from there explain in his speech how to fix it and how he will succceed and so on.

Answer:

Joe can't even go up a stair case, what makes you think he can do a speech right?

Explanation:

Somehow, Biden ended up at the grocery store in the spaghetti sauce aisle and then in the parking lot with the cart attendant and instead of just pushing them, he’s using a forklift … or something.

His exact words, minus the stuttering because we don’t want to be mean, were:

“So, you go ahead and stack spaghetti sauce at a store and a supermarket. You control the guy or the woman who runs the … or brings out the carts on a forklift. What happened?”

Answer:

Her training as a medical technician, AIDS crisis, and the Roman Catholic teachings about miraculous healings

Explanation:

Kiki Smith was born into a Roman Catholic family, which values the tradition of miraculous healings and sacred relics. This was her first emotional connection to the bodies and their functioning.

During the 80s in New York, when she was in her 20s, she trained to be a medical technician. This also sparked her interest in the mechanism of the body and the ways they work. During the time of her training, there was the AIDS crisis as well, and some of the victims were close to her.

All of these are the reasons Holland Cotter cites in the article as the ones that influenced Kiki Smith’s interest in the human body which she later explored through her art.

Answer:

art entertains people, and if it’s martial art, martial art can be learned to defend ur self

Explanation:

Answer: It makes a three-dimensional image by distancing or spreading out what's around it to make a background, middle ground, and foreground. Linear perspective changed when you use lines in a particular way so that the back of the paper looks further away then in the front.

Explanation:  Hope I helped.

Answer:

depends

Explanation:

Answer:

C

Explanation:

Answer:

The interpretation of the type of situation is characterized below.

Explanation:

The people look enough that scared and confused at how much they're glancing at, that they're really lost for words but instead showing remorse.

Answer:

A photographic essay is a narrative or story, consisting of a series of related images. The photograph is by Margaret Bourke White, and is entitled, The Living Dead. The photograph is of German men brought by Gen. Patton’s men to view the cruel acts and death their leaders had imposed on the people held at Buchenwald (concentration camp) during WWII. The men look so shocked and frightened about what they are looking at, that they appear to be speechless and remorseful.

Explanation:

Answer:The EP starts off with “Parasite”, the band’s debut single.  It begins with distinctive percussion rhythms to back the mysterious vocal “ohs” layered on top. Kittelsen’s vocal transforms from a falsetto into a clear tone all within the first phrase of the lyric. Keyboard chords on the downbeat create an intimate sound to complement the vocal. The drum set enters back into the verse, setting the tempo and enabling the eerie melody to move forward. The lyrics, “I used to be loving and now I feel nothing”, describe the consequences of an unhealthy relationship.  “Pack up and leave, honey,

Explanation:hope it help

Answer:

Planning and Organizing

Explanation:

Answer: Search for the lyrics of Like a rolling stone by Bob Dylan then copy n paste it.

  The dramatic movement in the song, at this level, is simple: some event has caused the woman to fall from grace, to be cast out from the upper social circles, and to have joined the ranks of those who have no material possessions. There is more going on here, though. The words are also about illusion and understanding, deception and truth. The song repeatedly describes ways in which the woman failed to see what was really going on around her. She never saw the frowns on the jugglers and the clowns, thought that people were joking when they said she was riding for a fall, failed to realize that the diplomat was using her, and so on. It’s worth noting how quickly and deftly Dylan introduces all of this. The first line encapsulates the class issue and tells us of the woman’s fall: “Once upon a time, you dressed so fine, threw the bums a dime, in your prime, didn’t you?” The second line then tells us how blind the woman was to what was going on around her: “People used to call, say ‘Beware, doll, you’re bound to fall,’ you thought they were all kidding you.” There is dramatic movement: the woman who has been unaware has experienced a fall, and from that experience, has an opportunity to change, to learn, to grow. And, brilliantly, each verse describes one more experience from which the subject might learn, takes the subject to the brink of enlightenment, asks the key questions whose answers would provide resolution, then… stops, begins again, and repeats the process.  

Once upon a time

You dressed so fine,

You threw the bums a dime,

In your prime,

The short line length, the fairy-tale opening, the simple words and images, the straightforward aaaa repeating rhyme — all these elements work together to create the feeling of a children’s song, of a child’s world. “Little miss Muffet / Sat on a Tuffet / Eating her curds and whey” uses similar devices to similar effect, for example. In conjunction with the themes we have discussed, these devices suggest that the woman in our story started her adventure with a certain childish, simplistic approach to life, apparently thinking that everything around her was placed there solely for her own amusement. The first extended line, or verse, or whatever we call it — the first sentence, certainly — is not yet finished. The singer pauses, and then tosses off the following question.

Didn’t you?

A fifth line that doesn’t rhyme with any of the first four, yet is clearly part of this first sentence. He is using the very structure of the song to let us know, to let the woman know, that there is more going on, more to the song, and more to life, than this simple children’s world. The words are about illusion and reality, deception and truth. But the lines, verses and rhymes are also playing with these same ideas, first making us think that this is a simple children’s song, then showing us a larger world of which this childish beginning is no more than a piece. The music is at the same time ethereal and earthy, classical and improvisational, stately and sensuous, austere and warm, hallowed and irreverent. The instruments weave together in intricate patterns, yet at the same time move the song along at a measured pace, alternately relaxing and pushing at just the right places, supporting and emphasizing the effects of the words. The overall effect is of being in a church, yet a church that acknowledges all the rich complexities and mysteries of human existence, foregoing any easy moral judgments. And always, even when a discordant note is struck, even when things do not turn out to be simple or straightforward, there is this haunting, pervasive beauty. Dylan tells the woman in the song that the simple order to her life was an illusion, there was no simple, obvious order to the way in which this masterpiece was recorded.

Answer:

C. Goemon does not trust his rescuers.

Explanation:

We see in the passage that fishermen prepare to eat and that sailor explains to them how to use the fork. However, the passage quotes Goemon that warily states the food might be poisonous.

This can tell us that Goemon does not trust sailors and he thinks that they might have poisoned the food in order to kill them. He is suspicious and afraid of these people and warns his fellow about the possible danger and his doubts.

Answer:

wht?

Explanation:

Answer:

Modern dance is an American contribution to choreography, much as jazz is a product of American culture. Pioneers in modern dance were and are bold, experimental, initially shocking and obsessively concerned with exploring the language of the body and all its possibilities. Martha Graham, Ruth St, Denis, Isadora Duncan, Merce Cunningham, Paul Taylor, Alvin Ailey and more incorporated ballet, jazz, ethnic dance and a unique series of moves that are more than steps—but as clearly defined and as challenging to master.

The human body is made up from a total of 206 bones. These bones contribute to the skeleton, the internal framework of the body. The skeleton is divided into two different structures; the Axial skeleton and the Appendicular skeleton.

Answer:

Katsushika Hokusai (31 October 1760 – 10 May 1849), known simply as Hokusai, was a Japanese artist, ukiyo-e painter and printmaker of the Edo period. Born in Edo (now Tokyo), Hokusai is best known as author of the woodblock print series Thirty-six Views of Mount Fuji which includes the internationally iconic print, The Great Wave off Kanagawa.

Hokusai created the monumental Thirty-Six Views both as a response to a domestic travel boom and as part of a personal obsession with Mount Fuji. It was this series, specifically The Great Wave print and Fine Wind, Clear Morning, that secured Hokusai's fame both in Japan and overseas. While Hokusai's work prior to this series is certainly important, it was not until this series that he gained broad recognition.

His work transformed the ukiyo-e artform from a style of portraiture largely focused on courtesans and actors into a much broader style of art that focused on landscapes, plants, and animals. Hokusai worked in various fields besides woodblock prints, such as painting and producing designs for book illustrations, including his own educational Hokusai Manga, which consists of thousands of images of every subject imaginable over fifteen volumes. Starting as a young child, he continued working and improving his style until his death, aged 88. In a long and successful career, he produced over 30,000 paintings, sketches, woodblock prints, and images for picture books in total. Innovative in his compositions and exceptional in his drawing technique, Hokusai is considered one of the greatest masters in the history of art.

Hokusai was born in Edo on the 31st of October 1760, and died on May 10, 1849. He was a japenese artist who was a ukiyo-e painter and printmaker. He's known as the author of the woodblock series thirty-six views of Mount Fuji, and the well known print The Great Wave off Kanagawa. He made Thirt-six views as a response to a travel boom and a obsession with Mount Fuji. What brought him fame in Japan and overseas was the Great Wave print, Fine Wind, and Clear Morning. But it was not until his series that he got recognition. His artwork had transformed the ukiyo-e artform which was a style of portraiture which largely focused on courtesans and actors into a form of art that focused on landscapes, plants, and animals. He worked in many fields besides woodblock prints and painting and producing designs for illustartions, including his own educational manga. The manga consists of thousands of images of every subject in over fifteen volumes. He started as a young child and continued working and improving until he passed away at the age of 88. In his years he produced over 30,000 paintings, woodblock prints, sketches, and images for picture books. And he is considered one of the greatest people in art history.

Answer:

It helps you sound like you are not running out of air, and helps you hold notes longer